How did Kwan’s article challenge, reinforce, or add nuance to your current thinking about the term Modern/Contemporary dance?

1. How did Kwan’s article challenge, reinforce, or add nuance to your current thinking about the term Modern/Contemporary dance?
2. What insights would you like to keep in mind as we begin our semester together? Why do they feel particularly resonant?
3. What were your reactions to the Gesel Mason video? How did it impact your thinking about this style of training and/or performance?
4. What questions remain for you