As introduced in the lecture, Akira Kurosawa’s Drunken Angel (1948) and Seijun Suzuki’s The Gate of Flesh (1964) are ostensibly set in the same time and location—immediate post-war Tokyo.(150-300words) Respond to the following: Discuss several cinematic techniques that were deployed in Drunken Angel and The Gate of Flesh, respectively. Is The Gate of Flesh a […]